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Wednesday, October 14, 2026
EV Revolution UK

Dance Star Matthew Ball on Demanding Roles and Online Scrutiny: 'I'm Not Precious About My Body'

In the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his arms muscular beneath a plain tee. On stage, dancers can appear like mighty gods, yet often offstage they are petite. This is not true for Ball, whose height is one reason for his demand for princely roles and pas de deux work. With fine traits and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Raised in Liverpool, he encountered minimal ridicule for his early passion in ballet. Entering the Royal Ballet School at 11, he moved straight into the company and was advanced annually, reaching the top rank of principal in 2018. He has loved taking on meaty dramatic roles, especially the emotional turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

His upcoming featured role is as himself, in an "In Conversation" event designed to offer intimate perspectives into a performer's craft. He will guide the crowd through a part, showing his mental workflow while execution. Yet in lighter ballets, the test is significant. "A classic ballet is one of the toughest technically," he notes.

The Psychological Struggle and After the Show Feelings

What about after a performance, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to squeeze all the juice out of it, and get lost in the role, frequently I do feel self-conscious afterwards. Following Mayerling I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, mild-mannered, and prone to laugh at himself. But a dance maker previously remarked on a "kind of suffering in him." Does this exist? "I am very energetic in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Drivers and Creative Influences

His determination stemmed from early experiences. Not doing well in competitions at school made him "driven!" It was fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own choreography. In his view, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, compositions, and painting.

Intimate Dance and Private Partnership

He also favors presenting dance in smaller venues. "It was just really thrilling," he says of a past experience. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his partner, fellow principal Mayara Magri. The level of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple are not usually matched on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Physical Image

On Instagram, fans can see clips from his dance films and images that highlight a athletic form. Does he care that the response can be somewhat focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—something that can be seen on various levels.

Ball characterizes his younger self as "desperate for success." Has it lived up to his expectations? "I feel very aware of how reality is a separate reality to the aspirations you had as a young person," he reflects. He probably has about decade of dancing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

The writer

Whitney Anderson

A fiber artist and educator with over a decade of experience in traditional and modern weaving methods.

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